The truth of the Second World War is that Britain was defeated. It was comprehensively defeated on the beaches of Dunkirk. On 15 May 1940 – at the very beginning of the British-German war – Germany’s Army Group A crossed through the Ardennes with 45,000 mobile armoured units, flanked the French and British forces, leaving them encircled and trapped north-east of Calais. On 27 May, under a horrifying Blitzkrieg assault from the air, Britain abandoned its allies to their fate as a mere 198,229 British soldiers fled thanks only to the miracle that was Operation Dynamo.
Murray says that he does not believe the Vow was a deciding factor in the No vote, but he is wrong. It offered people a third option when they had been bullied and harassed into thinking a Yes vote would hurt them and their loved ones. The false promise of the Vow – nothing but an empty and deceitful IOU – saved them from having to vote No against independence, against the prospect of a truly better Scotland, and offered them instead a provisional No in lieu of something better – something that was, from the day it was written, a callous and deliberate lie.
Billy Mitchell is anything but your average member of the public. Certainly, from the look of things, he appears to be doing well from his shady links to the British government, and he always seems to turn up right at the wrong part of the world – that is: Wherever the UK government or elements of it are up to dodgy dealings. His four performances on Question Time tell us one thing for sure, that there are hidden forces at work using him as a tool to make the SNP and the Scottish government look bad. It doesn’t matter that his facts are all to pot.
Had I thought this was the end of the insanity, I was wrong. The next morning, before heading east to Kirkcaldy, I was greeted by an email from Dale Miller at The Scotsman. Having failed to take me down with a rag, the union was upping its game. Miller’s task was to finish the job – I realised that much. On the train to Kirkcaldy I knew a juggernaut was headed my way, but I had no idea quite how vindictive this hack was going to be. He wanted a response by close of business. I told him he’d have it, and, so, after everything was wrapped up at the Kirkcaldy...
The common belief that Britain, acting as the policeman of Europe, went to war with Hitler to stop the Holocaust is an ex post facto justification. The Nazis’ “Final Solution” – the beginning of systematic murder as a solution to the “Jewish Problem” – did not begin until the Wannsee Conference of 20 January 1942. Adolf Hitler’s opinions regarding the Jews were well known long before the war. He wrote a book outlining his antisemitism and his plans to deal with the Jews of Germany. Britain may or may not have been comfortable with this development in Berlin, but it did nothing.
In spite of his obvious intelligence, his quick-wittedness, and his natural ingenuity, ‘the Scot’ is slavishly obedient to the point of servility. In fact, this is made quite explicit in a scene – after the first attempt on the Home Secretary’s life (played by Keeley Hawes); after saving her life almost at the cost of his own a uniformed officer points him to the service entrance of the hotel where she is staying. Take the backdoor Jock! As always, ‘the Scot’ gets ahead in the world by being perfectly obedient to his betters. He cannot be the hero of the story unless he knows his place.
Yes, you read that right. According to the unionist media in Scotland a “civil war” erupted in the SNP last Friday following the resignation of Alex Salmond. It didn’t matter that no one in the SNP and no one in the wider independence movement noticed the outbreak of hostilities; fake news is just that – fake news. Yet, to mark the occasion – even as the BBC’s political editor Brian Taylor, “journalist,” tried to downgrade the fictitious infighting to “turmoil” – independentistas took to social media to juke it out with the hashtag “#SNPCivilWar.”
The counter-voice – such as the political voice of the SNP, Sinn Féin, or Plaid Cymru – is the modern equivalent of the pillory or the stocks. This is where the enemy is presented, carefully framed and expertly mitigated, so as to make it serve the purposes of the state. We may hear the voice and see the face of Nicola Sturgeon, for example, but the narrative – the most important element of “the news” – is always that of the British state. No BBC broadcast featuring a counter-voice will leave the audience in any doubt as to dangerous nature of that voice.