Yet, the fact remains that the politics of independence is a national movement locked in an existential struggle with the British state and all the poison that that can bring to the fight. Not being the most social of people, “Jihadi Jason” – iScot Magazine’s witty new epithet for me – is all about winning the fight. Truth be told, I don’t feel particularly loyal to the Scottish National Party or to any pro-independence party. Political parties are useful instruments, but we mustn’t forget that they are also very human institutions. They attract professionals and careerists – journeymen.
In spite of his obvious intelligence, his quick-wittedness, and his natural ingenuity, ‘the Scot’ is slavishly obedient to the point of servility. In fact, this is made quite explicit in a scene – after the first attempt on the Home Secretary’s life (played by Keeley Hawes); after saving her life almost at the cost of his own a uniformed officer points him to the service entrance of the hotel where she is staying. Take the backdoor Jock! As always, ‘the Scot’ gets ahead in the world by being perfectly obedient to his betters. He cannot be the hero of the story unless he knows his place.
In 2018 Brexit and the disaster capitalism of the British establishment is also all about thieft. This is the latest development in a class war project designed to transfer the wealth of our society to the very top. The reduction in rights, the deregulation, and the tax benefits for the wealthy that will come from Britain’s departure from the European Union will make the wealthiest people in the UK even wealthier – and more powerful. The last thing these robbers want is a class based solidarity emerging in the class they are despoiling. A distraction has to be found.
There is no legitimate reason for banning the veil, leaving us only with the illegitimate reason no one calling for the ban wants to reveal – racism. No sooner is this said than some idiot leaps into the discussion with that pearl of wisdom: “Islam isn’t a race.” No it’s not, but no one dispensing this nugget of knowledge and no one attacking the “burka” can tell us much about Islam the religion. Shahadah, Salah, Zakat, Sawm, and Hajj – the Pillars of Islam – are mysteries to them. Their assault is not an assault on Islam qua Islam, but on Muslims qua racialised others.
The grooming of vulnerable children for sexual exploitation is an undeniable reality, and it is a fact that in most of the cases uncovered in England the majority of the perpetrators have been men from British-Pakistani backgrounds. But to limit our analysis of this crime to the criminals’ religions and ethnicities singularly fails to grasp the true nature and scope of the problem. It ignores the facts that most sex offenders who commit crimes against children are lone white males and that organised grooming for sexual exploitation is nothing new.
Public discussion and media emphasis since 9/11 (2001), switching racial discourse from diverse racial signifiers to Islam, has been found to bear down heavily upon Muslim women. This essay will examine the use of women and the female body in Islamophobia as it is evidenced primarily in Ireland, critically analysing it through the framework of Said’s Orientalism, the Racial State of Goldberg, and Yuval-Davis’ thesis of women as the reproducers of the nation.
We cannot ignore the threads linking the clandestine activities of UK and US foreign intelligence serves to this mayhem. To do that would be stupid. It is costing lives, and we are paying for it.
A concert venue packed to the gunwales with kids, teenagers, and parents having the time of their lives, targeted and bombed. Twitter was full of images of happy looking youngsters, pictures taken from their social media profiles, with words begging a helpless internet to help find them; asking us to tell them to call home, to check in.